Tuesday, April 3, 2012

Henry David Thoreau - Walden - Quotes



In an effort to revisit a book I didn't pay attention to when I was supposed to in High School (Sorry, Mr. Connolly), I recently read Walden. It is almost a meditative book to read as his writing style seems to exude the slow pace of everyday life in 1854; compared to now at least. While I do not recommend it for everyone, there are some lessons and passages that seem to be timeless enveloped in these pages. here's the cliff's notes of the more poignant ones:


“. . .This spending of the best part of one’s life earning money in order to enjoy a questionable liberty during the least valuable part of it reminds me of the Englishman who went to India to make a fortune first, in order that he might return to England and live the life of a poet. He should have gone up the Garret at once. ‘What!’ exclaim a million Irishmen staring up from all the shanties in the land, ‘is not the railroad which we have built a good thing?’ Yes, I answer, comparatively good, that is, you might have done worse; but I wish, as you are brothers of mine, that you could have spent your time better than digging in this dirt.”    - pg. 50

“There are a thousand hacking at the branches of evil to one who is striking at the root, and it may be that he who bestows the largest amount of time and money on the needy is doing the most by his mode of life to produce that misery which he strives in vain to relieve.” Pg. 71

“I read in the Gulistan, or Flower Garden, of Sheik Sadi of Shiraz, that ‘they asked a wise man, saying: Of many celebrated trees which the Most High God has created lofty and umbrageous, they call none azad, or free, excepting the cypress, which bears no fruit; what mystery is there in this? He replied, Each has I appropriate produce, and appointed season, during the continuance of which it is fresh and blooming, and during their absence dry and withered; to neither of which states is the cypress exposed, being always flourishing and of this nature are the azads, or religious independents. –Fix not thy heart on that which is transitory; for the Dijlah, or Tigris, will continue to flow through Baghdad after the race of caliphs is extinct; if thy hand has plenty, be liberal as the date tree, but if it affords nothing to give away, be an azad, or free man, like the cypress.” Pg. 74

“ I know of no more encouraging fact than the unquestionable ability of man to elevate his life by a conscious endeavor. It is something to be able to paint a particular picture or carve a statue, and so to make a few objects beautiful; but it is far more glorious to carve and paint the very atmosphere and medium through which we look, which morally we can do. To affect the quality of the day, that is the highest of arts.” Pg. 85

“Time is but a stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish in the sky, whose bottom is pebbly with stars. I cannot count one. I know not the first letter of the alphabet. I have always been regretting that I was not as wise as the day I was born.” Pg. 92

“Every path but your own is the path of fate. Keep on your own track then.” Pg. 112

“This whole earth we inhabit is but a tiny point in space. How far apart, think you, dwell the two most distant inhabitants of yonder star, the breadth of whose disk cannot be appreciated by our instruments? Why should I feel lonely? Is not our planet in the Milky Way?. . . What sort of space which separates a man from his fellows and makes him solitary? I have found that no exertion of the legs can bring two minds much nearer to one another.” Pg 126

“You want room for your thoughts to get into sailing trim and run a course or two before they make their port. “ Pg. 133

“You only need sit still long enough in some attractive spot in the woods that al its inhabitants may exhibit themselves to you by turns.” Pg. 216

“What if all ponds were shallow? Would it not react on the minds of men? I am thankful that this pond was made deep and pure for a symbol. While men believe in the infinite, some ponds will be thought to be bottomless.” Pg. 271

“if one advances confidently in the direction of his dreams, and endeavors to live the life which he has imagined, he will mee with a success unexpected in common hours. He will put some things behind, will pass an invisible boundary; new, universal, and more liberal laws will begin to establish themselves around him and within him; or the old laws be expanded, and interpreted in his favor in a more liberal sense, and he will live with a license of a higher order of beings. In proportion as he simplifies his life, the laws of the universe will appear less complex, and solitude will not be solitude, nor poverty poverty, nor weakness weakness. If you have build castles in the air; your work need not be lost; that is where they should be. Now put the foundations under them.” Pg. 304/305

“Why should we be in such haste to succeed in such desperate enterprises? If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away. It is not important that he should mature as soon as an apple tree or an oak. Shall he turn spring into summer? If the condition of things which we were made for is not yet, what were any reality which we can substitute? We will not be shipwrecked on a vain reality. Shall we with pains erect a heaven of blue glass over ourselves, though when it is done we shall gaze still at the true ethereal heaven far above, as if the former were not?” Pg. 307

“No face which we can give to a matter will stead us so well as the truth. This alone wears well. For the most part, we are not where we are, but in a false position. Through an infirmity of our natures, we suppose a case, put ourselves into it, and hence are in two cases at the same time, and it is doubly difficult to get out. In sane moments we regard only the facts, the case that is. Say what you have to say, not hat you ought. Any truth is better than make-believe.  Pg. 308

“I love to weigh, to settle, to gravitate toward that which most strongly and rightfully attracts me – not hang by the beam of the scale and try to weigh less – not suppose a case, but take the case that is; to travel the only path I can, and that on which no power can resist me. It affords me no satisfaction to commerce to spring an arch before I have got a solid foundation. Let us not play at kittly-benders. There is a solid bottom everywhere. We read that the traveller asked the boy if the swamp before him had a hard bottom. The boy replied that it had. But presently the traveller’s horse sank in up to its girths, and he observed to the boy, ‘I thought you said that this bog had a hard bottom.’ ‘So it has,’ answered the latter, ‘but you have not got half way to it yet.’ So it is with the bogs and quicksands of society.” Pg. 310/311

“I went into the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practice resignation, unless it was quite necessary. I wanted to live deep and suck out all of the marrow of life, to live sturdily and Spartan-like, as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms, and, if it proved to be mean, why then to get the world and genuine meanness of it, and publish its meanness to the world; or if it were sublime, to know it by experience, and to give a true account of it in my next excursion.” Pg. 85

“I left the woods for as good a reason as I went there. Perhaps it seemed to me that I had several more lives to live, and could not spare any more time for that one. It is remarkable how easily and insensibly we fall into a particular route, and make a beaten track for ourselves. I had not lived there one week before my feet wore a path from my door to the pondside; and though it is five or six years since I trod it, it is still quite distinct. It is true, I fear, that others may have fallen into it, and so helped to keep it open. The surface of earth is soft and impressible by the feet of men; and so with the paths which the mind travels. How worn and dusty, then, must be the highways of the world, how deep the ruts of tradition and conformity! I did not wish to make a cabin passage, but rather to go before the mast and on the deck of the world, for there I could best see the moonlight amid the mountains. I do not wish to go below now.” Pg. 304

Thursday, December 8, 2011

Washington Post & Joshua Bell Perception Experiment

Thanks to Gene Weingarten and the Washington Post we now have an answer to the question "what happens when you put a world famous musician playing one of the most intricate violin pieces ever written in a subway station instead of a normal street musician playing "The Entertainer"? 

Check it out, there's video at the bottom as well.

"HE EMERGED FROM THE METRO AT THE L'ENFANT PLAZA STATION AND POSITIONED HIMSELF AGAINST A WALL BESIDE A TRASH BASKET. By most measures, he was nondescript: a youngish white man in jeans, a long-sleeved T-shirt and a Washington Nationals baseball cap. From a small case, he removed a violin. Placing the open case at his feet, he shrewdly threw in a few dollars and pocket change as seed money, swiveled it to face pedestrian traffic, and began to play.

It was 7:51 a.m. on Friday, January 12, the middle of the morning rush hour. In the next 43 minutes, as the violinist performed six classical pieces, 1,097 people passed by. Almost all of them were on the way to work, which meant, for almost all of them, a government job. L'Enfant Plaza is at the nucleus of federal Washington, and these were mostly mid-level bureaucrats with those indeterminate, oddly fungible titles: policy analyst, project manager, budget officer, specialist, facilitator, consultant. Each passerby had a quick choice to make, one familiar to commuters in any urban area where the occasional street performer is part of the cityscape: Do you stop and listen? Do you hurry past with a blend of guilt and irritation, aware of your cupidity but annoyed by the unbidden demand on your time and your wallet? Do you throw in a buck, just to be polite? Does your decision change if he's really bad? What if he's really good? Do you have time for beauty? Shouldn't you? What's the moral mathematics of the moment? 


On that Friday in January, those private questions would be answered in an unusually public way. No one knew it, but the fiddler standing against a bare wall outside the Metro in an indoor arcade at the top of the escalators was one of the finest classical musicians in the world, playing some of the most elegant music ever written on one of the most valuable violins ever made. His performance was arranged by The Washington Post as an experiment in context, perception and priorities -- as well as an unblinking assessment of public taste: In a banal setting at an inconvenient time, would beauty transcend? 


The musician did not play popular tunes whose familiarity alone might have drawn interest. That was not the test. These were masterpieces that have endured for centuries on their brilliance alone, soaring music befitting the grandeur of cathedrals and concert halls. 

The acoustics proved surprisingly kind. Though the arcade is of utilitarian design, a buffer between the Metro escalator and the outdoors, it somehow caught the sound and bounced it back round and resonant. The violin is an instrument that is said to be much like the human voice, and in this musician's masterly hands, it sobbed and laughed and sang -- ecstatic, sorrowful, importuning, adoring, flirtatious, castigating, playful, romancing, merry, triumphal, sumptuous.

So, what do you think happened?"

Read more: http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721.html






Video : http://www.youtube.com/watch?v=myq8upzJDJc

Tuesday, December 6, 2011

Vendetta Creators Now Backing Occupy Movement



Interesting read from Wired. Alan Moore and David Lloyd are going to be creating a series of comics that will financial support the occupy movement, perhaps lending credibility and maybe. . . leadership?

"Lloyd signed onto the growing Occupy Comics project last week, as did Madman’s Mike Allred and American Splendor’s Dean Haspiel. Occupy Comics will eventually sell single-issue comic books and a hardcover compilation, but an innovative arrangement with Kickstarter means that funds raised through pledges of support can be channeled directly to Occupy Wall Street’s populist ranks now."

Friday, December 2, 2011

Creativity and Snow (or lack thereof)

Check out this pretty intense video from All I Can. Great production value, very creative line through a suburban setting, obviously very high level talent. "Urban Skiing" anyone?



From the Sherpas Vimeo page:
"See All.I.Can Official Teaser --> vimeo.com/16442800
See All.I.Can Teaser 2 --> vimeo.com/29320702
See All.I.Can Teaser 3 --> vimeo.com/31835595


Press reviews:
- "The best movie in skiing." - Jamey Voss, ESPN es.pn/pPxkbQ
- "Like listening to a Zeppelin song." - John Stifter, Powder Magazine: bit.ly/nl0JiT
- "The Sherpas are firmly in the lead of a new wave of filmmakers that are changing the face of ski films for good." - Leslie Anthony, Skier Magazine: bit.ly/mVaYsy
- "Captivating. Fascinating. Life Changing." - Todd Heath, BombSnow Magazine.


All.I.Can Awards:
"BEST FEATURE-LENGTH MOUNTAIN FILM" - Banff Mountain Film Festival 2011
"BEST DOCUMENTARY" - IF3 Film Festival Montreal 2011
"MOST INNOVATIVE VISUAL FX" - IF3 Film Festival Montreal 2011
"BEST SKI FILM" - Adventure Film Festival, Boulder 2011
"BEST CINEMATOGRAPHY" - ESPN Fan Favorites


...An unparalleled cinematic experience: All.I.Can is a stunning exploratory essay that compares the challenges of big mountain skiing to the challenges of global climate change. Shot on 6 continents over 2 years, the world’s best skiers deliver inspirational performances while ground-breaking cinematography expands our vision of the natural world.


Journey through Morocco’s majestic desert peaks, Greenland’s icy fjords, Chile’s volcanic craters, Alaskan spine walls, and more. Join the revolution and experience one of the most spectacular, captivating, and thought-provoking films ever created in the action sports genre.


This segment directed by Dave Mossop & JP Auclair
Huge thanks to Arno, Joey, Cal's family, Peck, Bone, Bordo, and the Walker and Depster kid posse - thanks for all the help!!
Location: Trail, Rossland, and Nelson, BC.
Notice anything at 0:44?


Music: Dance Yrself Clean, by LCD Soundsystem.

..if you liked this, check the award-winning 70min film, "All.I.Can." by Sherpas Cinema
iTunes Download HD: itunes.apple.com/us/movie/all.i.can.-by-sherpas-cinema/id470509338
Blu-ray and DVD: order from sherpascinema.com"

Wednesday, November 30, 2011

America's Cup stepping up to help the world's oceans - but does it matter?



Here's a great read from the Huffington Post about how the America's Cup is working on expanding public knowledge about how humans are impacting the ocean. 
 
For those of you out there not familiar with sailboat racing (which is 99% of you), this event is worth checking out. Like chess, at high speed - with a risk of drowning.

Further, what Larry Ellison has done to revamp this event is nothing short of amazing. Although of course it will never be a mainstream sport, perhaps more American's will realize this particular trophy is something we should all be proud of.

It has been returned home by Ellison & Co after a few year hiatus - and this new series is leading up to the next challenge to win it on San Francisco Bay in 2013.

Android Phone Spying on you? How secure are we?

Trevor Eckhart has discovered something very disturbing for all of you Android users. Many mobile devices running Android are also running a background service that logs your keystrokes, usage statistics, location, and even passwords allegedy encrypted via https.

http://www.wired.com/threatlevel/2011/11/secret-software-logging-video/?utm_source=Facebook&utm_medium=social+media&utm_campaign=Facebook+clickthru

Great T.E.D Video - Dance your Phd


Very Poignant, ecspecially his cheeky barbs at the US government's expense.